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THE WEEKLY MESSENGER
Boston, Friday, July 1, 1814
THE MODERN PROMETHEUS
Popular discussion has recently been so much engaged on this highly interesting colored engraving, that we have felt it our duty to present our readers with a description of its subject. Bonaparte, represented as the modern Prometheus, is chained to a rock, in allusion Elba. Justice stands over him with the scales, in which the legitimate crown of the Bourbons preponderates in value over the visionary cap of revolutionary liberty; on her right hand she points the confederated sword of Europe to the fallen usurper, who is writhing in agony, with his broken crown at his feet, and all the ensigns of his former power. His countenance is horribly depictive of despair; and a vulture, in allusion to his conscience, is devouring his heart. In another part of the print, peace and plenty are seen seated on a cloud, over the European quarter of the globe, scattering the treasures of the cornucopia. We have never seen a subject better handled. — (London paper)
There is a singular trait stated of Bonaparte’s favorite Mameluke. After sharpening his sword with care, he entered Bonaparte’s chamber, and addressed him in words to this effect: — "Sir, after what has happened, of course you will not choose to live; I have brought you my sword; will you use it yourself, or shall I pass it through your body? I am ready to obey your commands." Napoleon answered, that neither of these alternatives was necessary. "Neither!" exclaimed the Mameluke in surprise, "What, can you endure life after such a reverse? Then I pray you to dispatch me with the same weapon, or dismiss me from your service, for I will not live under such disgrace." — and he abruptly left the room.
(Courier.)
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-Napoleon Bonaparte
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